Don't Believe the Hype. Public Enemy (1988)

Chuck D attacking the media's account of his own group, from an album that argued the press was not a neutral narrator but a participant with interests. It is the best song ever written about media relations, which is not a crowded field.

Three honeycomb cells in a row: a filled centre cell holding a megaphone, with a loudspeaker and a cross mark made of two short diagonal strokes in the cells either side.

What the song is about

A direct response to press coverage of Public Enemy, arguing that the reporting was hostile, inaccurate and shaping public understanding in ways the group could not correct through the same channels.

The title entered general English as a phrase, which is itself a demonstration of the group’s argument about who gets to set the terms.

Why it belongs in a marketing reference

Because it describes the structural problem of earned media from the side of the subject, and that perspective is almost entirely absent from marketing literature.

Public relations is usually taught as the management of relationships with journalists. This song describes what it feels like to be covered by people whose incentives differ from yours, whose account reaches more people than your own, and who are under no obligation to be right.

Chuck D’s famous description of rap as a news medium for a community the mainstream press was not serving is the other half of the argument. If the existing channel misrepresents you, the response is to own one.

That is now standard advice. Build an audience you reach directly rather than depending on intermediaries. The song made the case forty years before it became a content marketing slide.

The honest complication

The owned-channel answer solves the distribution problem and not the credibility problem. An account of yourself that you publish is discounted precisely because you published it, which is why third party coverage retains its value despite being harder to control.

Both things are true: you need a channel you own, and the thing that persuades is still somebody else saying it.

If you run the company rather than the marketing

There is a decision here that most companies never make deliberately.

How much of your reputation depends on intermediaries describing you accurately, and what is your alternative if they do not? Trade press, analysts, review sites, and now AI assistants all produce accounts of your company that reach more people than anything you publish, and none of them is obliged to be correct.

The owned channel is the standard answer and it is only half an answer. A newsletter, a research report, a reference site: these give you distribution you control. They do not give you credibility, because you wrote them.

The combination that works is owning the primary material and letting other people cite it. Publish the data, the method, the thing nobody else has, and let the intermediaries use it. Then the account that reaches people is written by somebody else and sourced from you, which is the only version that does both jobs.

That is a slower strategy than a campaign and it is the one that compounds.

Sources

Public Enemy, It Takes a Nation of Millions to Hold Us Back, Def Jam, 1988. Written by Carlton Ridenhour, Eric Sadler, Hank Shocklee and William Drayton.

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Anne Becheru, who writes the Hive, sends the Brave New Journal every Tuesday: one thing happening in the world, turned into a marketing decision you can make that week. Free, and you can leave from any issue.

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